NEXT DOOR EBONY: When a hot, pumped-up new guy shows up at Caleb King and Osiris Blade’s gym, there’s a bit of a stir. Damian Flexxx has been conditionally hired as the newest trainer at their downtown facility and the boys can’t wait to get trained.

As Damian helps Osiris do a chest workout with dumbbells, Damian’s crotch goes right into Osiris’s face. Caleb notices and realizes it couldn’t have been a mistake. Using just the right subtlety, Osiris and Caleb coax Damian out of his yoga tights and Caleb has the immense pleasure of being the first guy at the gym to suck the new trainer’s cock! And Osiris jumps right in to get a piece of Caleb’s soft, skilled mouth.

Damian really likes the vibe so he decides to see if Caleb would be willing to eat his ass.

Caleb, being the dick and ass fiend he is, happily has a taste of Damian’s hole. As he enjoys Damian’s ass, Osiris gives Caleb a sensuous blowjob. It’s not long before Damian decides he wants to try out Osiris’s mouth as well. They switch things up and Caleb buries his face in Osiris’s ass while Osiris slurps deep on Damian’s hard cock.

Once the boys are warmed up, Damian cranks things up to the next level, sliding his throbbing erection into Osiris’s tight ass. Caleb assists in the drill by fucking Osiris’s mouth at the same time. They take turns on Osiris’s sweet bottom, before Caleb takes a turn getting pounded by each dude. Wow, Damian heard the clientele was eager to sweat, but this is ridiculous!!!

FINK’S STATEMENT @ RMRL: Once I started photographing men, I knew I wouldn’t want to stop. I knew this gathering body of work would have to be named something. Real Men Real Life (RMRL for short) was what I came up with, and I still think it’s perfect. The subhead I used was “Male Photography by John Edward Fink”, and that’s what’s changed. Now, it’s “Real Men Real Life: A Vision of Men by John Edward Fink”.

Why the change? Well, the word “photography” is part of the issue. Unlike using pencils, paints or sculpture to depict the male form, “photography” suggests that an image can be captured as-is, and without interpretation. But what I’m doing absolutely feels like interpretation. Sometimes this feels more to me like sculpture and archery than “photography”. In any case, I’m trying to create images that find and celebrate the essence of these men, and my perspective or vantage point cannot be separated from this process. I’ve reached a place of confidence that my unique and idiosyncratic perspective does indeed have value.

I have respect, love, and gratitude for the men shown here. And I’m so appreciative for all of you who tune in, and cheer me on. Real Men Real Life is my vision of men, and I’m absolutely going to see that vision through!

Peace!

John